Recent Review by Jessica Nicholas (The Age)
In January this year, Alison Wedding visited New York and immediately felt drawn to the city's energy and creativity. It was an experience that precipitated the singer's decision to move back to the US (where she was born), after six and a half years in Australia.
On Sunday night, Wedding big farewell not only to Bennetts Lane- the club she regards as her Melbourne 'home'- but to the musicians, friends and fans who have welcomed her into the local jazz community.
Sunday's conert was ostensibly a quartet gig, but Wedding invited various guest performers to join her band (Stephen Magnusson on guitar, Ben Robertson on bass, and Dave Beck on drums) throughout the evening. Pianist Sam Keevers deepened the bluesy groove of "My Poor Hands", and singer Gian Slater performed a hauntingly beautiful vocal duet with Wedding on "Hungry Lonely" (with subtle but luminous accompaniment from another guest pianist, Will Poskitt).
Wedding also engaged in intimate duo conversations with each of her regular bandmembers. These were among the evening's highlights, as she scatted in empathetic harmony with Robertson (on "Hi-Lili, Hi-Lo); explored the percussive possibilities of her voice with Beck ("Agua de Beber"); and revelled in the spirited strumming of Magnusson's nylon-string guitar ("If").
On the quartet numbers, Wedding's gifts as a composer and arranger were strongly evident. The mainly original repertoire encompassed achingly tender ballads ("You and I") and taut, finger-snapping statements of defiance ("Don't Come Crying to Me"), along with upbeat Brazilian-inspired tunes that bubbled with pure pleasure.
This was the first time I had heard Wedding in more than a year, and I was struck by the maturity and depth of her delivery. She has always had a beautiful voice- full of sincerity , and without a hint of affectation- but there is a new earthiness to her approach that broadens her expressive capabilities and grounds her even as her voice soars high above the clouds.
She closed Sunday's concert with an exquisite new song, "She", performed solo at the piano. The lyrics were set in third person, but with obvious personal resonances as the fictional 'she' emerged from a period of struggle feeling ready to move forward. It was clearly an emotional moment for the singer- and the audience- as she said goodbye, reflecting on her time in Australia and the adventures that lie ahead as she steps into the unknown. - Jessica Nicholas (The Age)
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More Reviews
"Alison Wedding is the most impressive jazz singer to emerge on the Melbourne scene in quite a few years...Wedding certainly has an appealing voice, a strong technique and reliable intonation. But the qualities that make her stand out from the crowd are
her ablility to explore and convey the emotion in a
song's lyrics, and her ability to scat solos with both
daring and control."
-Adrian Jackson, Rhythms magazine
"Her alto voice is full of expression and she has a
gift for improvisation and a sharp ear, avoiding
cliches in her wordless vocalising by thinking like a
horn player instead of trying to imitate one". -
Kevin Jones , The Weekend Australian
" Wedding can scat with the best, but it is the
luminous beauty she discovers in the lyrics of
songs....that lingers in the memory".
-Adrian Jackson, The Bulletin
"That she is much more than just an Ella/Billie/Sarah
clone is evident from the crystalline opening
notes....Wedding's voice is a vivacious and accurate
instrument, which can be used to improvise with elan,
or weight words to meaningful effect."
-John Shand, Limelight magazine
"Possessed of an exquisite voice which is at once both
sweet and strong... I can only feel envious of
Melbourne audiences who are treated to regular doses
of this wonderful group...I unconditionally recommend
them..."
-Melissa Forbes, Brisbanejazz.com
"Nearly an hour of pure-voiced and -backed pleasure
offered here."
Michael Foster, Canberra Times review
of "The Secret" CD
"She has been making quite an impact in melbourne
since her arrival in Australia...I caught her
performing down at Wangaratta in October, where she
won over audiences with her graceful stage presence
and moving voice. Alison delivers her music with a
refreshing honesty and energy. Her ballads are
beautiful- she has that pure, deep ,at times fragile
tone that really stirs you."
Jasmine Crittenden, The
Drum Media Street Mag
"she has all the attributes of a world class jazz
diva- perfect pitch and phrasing and a fine sense of
rhythm. She also has the ability to solo over the
'changes' of a tune with the alacrity and expertise
customarily associated with top instrumentalists.
It's obvious she has closely studied horn players and
absorbed the tone of their playing and the
construction of thier solos."
Tony Hiller review, Cairnes
"Given half a chance, Alison Wedding will lull you
with her sweet sounding voice, thrill you once she
starts to improvise and most certainly win you over
with her ability to write songs of substance."
-Deb Morrice, Rave (Brisbane)
"My expectation of a performer who could improvise
with her voice through a large vocal range was not
disappointed. Alison's control and understanding of
what she could achieve with her voice, coupled with
her technical skill with the microphone, resulted in a
very polished performance."
Phllip Crombie review,
Shearwater,Tasmania

